You edit highlight clips, trailers, features and social formats around our live productions. Sometimes in the edit truck right at the venue, sometimes in Cologne, sometimes remote. You work closely with editorial, graphics and sound.
Your responsibilities
- Editing highlight, social and brand formats under broadcast pressure
- Reviewing and structuring material from multi-camera productions
- Basic graphics, colour and audio work
- Maintaining project structures, media archive and export standards
- Helping develop format ideas for social media
Our setup
Adobe Premiere Pro and After Effects, DaVinci Resolve for colour, central storage with a clean proxy workflow. If something is missing, we get it – solid arguments are enough.
Your profile
- Confident use of Adobe Premiere Pro; knowledge of After Effects and DaVinci Resolve
- A feel for rhythm, music and narrative arc – even at 60 seconds runtime
- Experience with sports material or live content is an advantage
- Structured working style with large amounts of data
- Nerves when airtime is closer than the fine cut
- Willingness to work on site, including weekends
Your benefits
- Permanent contract with a flexible remote share
- Up-to-date hardware and software that you help choose
- Working directly at the event, not just on raw footage
- Short approval paths – your cut does not get stuck in a queue
- Training budget for motion design and colour grading
- Deutschlandticket, company bike and company pension scheme